My own favorite portrait of Bloom comes from the last years of his life (he passed away in 2019), in a 2018 interview for the Los Angeles Review of Books with the novelist Joshua Cohen, whose brief friendship with Bloom gave Cohen the stories that became the basis for his Pulitzer-winning novel, The Netanyahus. In the interview, Cohen recounts the same biographical details that always clung to Bloom (that Bloom himself clung to): a childhood speaking only Yiddish in a family of shtetl immigrants settled in the Bronx; an obscene reading speed and a prodigious memory, which apparently left him able to recall most of what he’d read verbally; and many powerful, formative boyhood experiences with poetry (most famously, in reading William Blake and Hart Crane). The interview ranges over writers from Kafka to Proust to Cohen himself, and on to many great Jewish-American writers (Philip Roth, Nathanael West, Cynthia Ozick). But what’s most striking about their conversation is that, in speaking with the critic, Cohen knows precisely how to match Bloom’s manner of discussing literary pasts. That is—as always, with Bloom—in terms of influence, a loaded word that was practically glued to the critic throughout much of his life. Addressing Cohen’s own work, Bloom at one point asks him: “But why is D.H. Lawrence missing in you? I would have thought that his vitalism would appeal to you.” Cohen counters: “I don’t know. Probably because Bellow, Malamud, and Roth are too present in me?”
She herself is a fan: "They are spicy and that's what keeps grabbing our eyeballs."
或者是这种带着几分荒诞、又透着高级感的时尚大片：，这一点在新收录的资料中也有详细论述
Итальянский модный дом Schiaparelli представил обувь с головами животного и нарвался на гнев общественности. Пост и комментарии появились в Instagram-аккаунте (принадлежит компании Meta, признанной экстремистской организацией и запрещенной в РФ) люксовой марки.
，详情可参考新收录的资料
ВсеПрибалтикаУкраинаБелоруссияМолдавияЗакавказьеСредняя Азия，这一点在新收录的资料中也有详细论述
Архивное фото. Фото: Steve Lynes / Wikimedia